This album was released as only 2ch version from Naïve. Now it released as Auro3D from here. The sound stage becomes wider and deep. It illustrates the difference of orchestra size and also show many percussions clearly on stage.
This probes the merits of auro3D than 2 channel stereo.

Fantastic recording and performance, exceeded my expectations in space, tonality and utter lack of noise. Highly recommended!

Weer een bijzonder mooie CD van Lina Tur Bonet. Superieur vioolspel met alleen baroque gitaar begeleiding. Een feest om naar te luisteren. Zeker met de uitmuntende opname is het alsof het duo in je woonkamer staat te spelen. Een aanrader.

I loved Lina's rendition of the baroque violin in this recording.
The recording captures the mood of the two instruments and players well, and is one of the best downloads I have purchased recently.

A beautiful and nuanced transcription by the Kuijken Quartet. Excellent recording too.

Usually I'm not a big fan of listening church organs at home. The sensation of a live performance and the physical experience while sitting in a church listening to a great organ can't be beaten.
Nonetheless I find this recording gets you as close as possible to the live experience.
The organ playing by Aart Bergwerff is top notch. Very musical in articulation and selection of the organ registers. The tempi are fresh where they need to be, like the opening of the recording and touching like the first movement of BWV 527.
Pure joy for the listener!

Beautiful recording

A pleasure to hear this outstanding music in true high resolution.

Previous audio reviewer for enjoythemusic.com. Have now purchased 22 titles in stereo, auro 3d and binaural. Each is of the highest level of recorded sound and musicality. Well worth their price.

You make beautiful sounding recordings

Auro-3Dによるイマーシブ感と上質な演奏が融合して、とても素晴らしい体験ができました。今後もAuro-3Dのタイトルを増やしてください。

Recording 5* Performance 4*

Great box with all symphonies. Excellent performance of Anima Eterna on period historical instruments and top recording quality by Northstar Recordings.

> 
>
>
>
>Hello Bert
>
> I really like your recording. The organ is beautiful and the organist seems to caress the keys. There is a good balance between direct and reflected sound. Some organ recordings, in a reverberant space, sound distant and echoey. Others have clear, direct sound from the organ with little room sound. Your recording has a good balance between direct and reflected sound. I can hear detail of the organ (action, wind, chiff) along with room sound, but the room sound doesn't obscure the organ sound. On the last track, in particular, the reverberant sound enhances the organ.immensely to produce a truly lovely moment.
>
> I feel as if I'm standing about half-way back in the empty room on the main floor.
>
> There are only three lines in these sonatas. I can't help but wonder if the reverberant sound might tend to obscure the organ if larger, thicker preludes, fugues and toccatas were recorded.
>
> You live in an area where the greatest number of historical, gorgeous, playable organs located in flattering acoustical environments reside, as well as some of the world's finest organists. I think that you have made an entirely successful recording which I can't wait to listen to again. I sincerely hope that you take advantage of your location and make many more organ recordings.
>

> Best wishes,
> Larry Whitney

> 

>

>
>Hello Bert,
> I really like your recording. The organ is beautiful and the organist seems to caress the keys. There is a good balance between direct and reflected sound. Some organ recordings, in a reverberant space, sound distant and echoey. Others have clear, direct sound from the organ with little room sound. Your recording has a good balance between direct and reflected sound. I can hear detail of the organ (action, wind, chiff) along with room sound, but the room sound doesn't obscure the organ sound. On the last track, in particular, the reverberant sound enhances the organ.immensely to produce a truly lovely moment.
>
> I feel as if I'm standing about half-way back in the empty room on the main floor.
>
> There are only three lines in these sonatas. I can't help but wonder if the reverberant sound might tend to obscure the organ if larger, thicker preludes, fugues and toccatas were recorded.
>
> You live in an area where the greatest number of historical, gorgeous, playable organs located in flattering acoustical environments reside, as well as some of the world's finest organists. I think that you have made an entirely successful recording which I can't wait to listen to again. I sincerely hope that you take advantage of your location and make many more organ recordings.
>
> Again, thank you for allowing me early purchase of this fine recording.
>
> Best wishes,
> Larry Whitney